This Friday sees the official opening of the 125 Exhibition at Newport Museum. It has actually been open for the public to view for a few weeks already, and one of the popular exhibits is the bronze of W. H. Davies by Jacob Epstein.
The Exhibition celebrates the 125th anniversary of the Museum and displays 125 exhibits arranged by the year they were accessioned (one for each year) and reflects the changes in collections management and the way the public see the function of museums. 125
Epstein and Davies had become friends in London and mixed in the same circles as Evan Morgan, son and heir of Courtenay Morgan, Baron Tredegar. The bronze currently on display at the Museum belonged to Evan Morgan who later donated it. Davies also paid Epstein for another cast for himself. In fact, there were six casts made in all.
W H Davies, the Newport born poet, is probably best remembered for his Autobiography of a Supertramp. His poetry remains popular today; the best known being “Leisure” (What is this life if, full of care, We have no time to stand and stare?). A new edition of Supertramp was published in April by Parthian Books.
Jacob Epstein was born in the USA, but took British citizenship. His works were often controversial and he probably came into contact with Davies during his dalliance with the Vorticist Movement at the Eiffel Tower Restaurant in Bloomsbury. Evan Morgan was always very keen to be part of the set that would hang out here. He commissioned Epstein to produce a bronze of his hands around this time.
Evan Morgan was friendly with many of the “Eiffel Tower” stalwarts, including Nancy Cunard, Augustus John, Wyndham Lewis and Ronald Firbank. He was an aspiring artist and poet and felt that he was in the company of his fellow travellers. The outbreak of war in 1914 seems to have been an annoying disturbance of his literary and artistic aspirations. His persuasive manner and connections were useful for getting him cushy postings during the conflict, however his attempt to become Lloyd George’s wartime literary adviser seems to have been a step too far.
The W H Davies bronze head is in its rightful place. Following Evan’s death in 1949 most of the Morgan art collection was sold off and ended up in the hands of galleries, museums and private collectors around the world. This piece is exactly where Evan intended it to be, and you can see it in the current exhibition until October.